Miriam is currently performing in ‘Alice in Wonderland’ with Combarro Productions in Murvagh Woods, Co. Donegal.

In early September she will take part in a Tiny Shows Residency with Branar Theatre Company to research her new play ‘Fuist’.

‘Lara ar Strae’, an audio story for children written by Miriam, will be released in coming weeks as part of Scéalta Super Paua and Axis as Gaeilge.

Miriam Needham is a Lecoq-trained actor, writer, and theatre-maker.

In 2019 she premiered her first full-length solo show at the Dublin Fringe Festival, ‘Compostela’, which was developed as partof a Short Theatre Artist Residency at the Hawk’s Well Theatre, and supported by Fishamble’s New Play Clinic and the Dublin Fringe Lab.

With Blue Raincoat Theatre Company, Miriam has performed in The Schooldays of Thaddeus KAlice in Wonderland, and Play. Other acting work includes The Big Wall (Hawk’s Well), Bláth (Branar), Mise (Branar), and Macbeth (Offstage/Shakepeare & Company, Paris).

Previous writing work includes Leathanach Bán (First Fortnight 2018), Rise & Repeal (online comedy short), Pinhole (Moving Bodies Festival 2016), and comedy sketches with Mumbro Top, which were performed at Oireachtas na Gaeilge, Electric Picnic, and Culture Night.

Miriam also works regularly as a voice-over artist, and can be heard as ‘Owelette’ on PJ Masks, and ‘Dot’ on ‘DOT’, both on TG4.

Miriam is a fluent Gaeilgeoir and speaks intermediate French and Spanish. She holds a full driving license. She is a qualified yoga teacher and regularly teaches yoga in schools. As a theatre and yoga facilitator she has worked with Jigsaw Youth Advisory Panel, Helium Arts, Moontour, Feachtas, and Óga Yoga.

For a full CV or a voice reel, please contact miriam.p.needham@gmail.com


Compostela (2019):

“Showing a lot of heart, a touch of poetry, with just a hint of performance art, “Compostela” delivers some wonderfully magical moments. Needham’s performance is nothing short of luminous.” – Chris O’Rourke, The Arts Review

“… the crowd were engaged from start to finish as the standing ovation at the end demonstrated. The greatest achievement though was that this was not a play for a small audience … Compostela was less about the referendum and more about the impact of the referendum.” – Brian Sheridan, Headstuff

“Compostela speaks to Ireland’s recent memory. It is engaging throughout, and drew a number of laughs to offset its more tense moments.” – Lauren Boland, Trinity News

Alice in Wonderland (2019, 2017)

“Miriam Needham as Young Alice and Hilary Bowen-Walsh as Older Alice work stunningly, as they throw themselves literally into the roles … A stunningly-adapted tale with a brilliant cast performing the lively characters, this well-loved classic has been invigorated and brought to life”. – Keira Brown, The Fountain

“Needham has clout and a great deal of vigour. Her aggression takes a twisted form, the Cheshire’s infamous; “We’re All Mad Here” hints at an Alice with an unhinged fascination.” – Dominic Corr, The Reviews Hub

The Schooldays of Thaddeus K (2018)

(ensemble review)

” …a very elegant depiction of one very dismal time, where scenes of stultifying repetition (which anyone will recognise) are choreographed with surprising sprightliness. Here the ensemble’s physical discipline makes objects such as a huge wardrobe or a hefty leabhar rolla (or roll book) become suddenly weightless, as though physics had met its match against daydreams …” – Peter Crawley, Irish Times.